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	<title>Kinokoln</title>
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	<description>Creating and Working with Movies in Education by Júlio Mendes Rodrigo</description>
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		<title>Kinokoln</title>
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		<title>Welcome to the Desert of the Real</title>
		<link>http://kinokoln.wordpress.com/2010/01/12/welcome-to-the-desert-of-the-real/</link>
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		<pubDate>Tue, 12 Jan 2010 00:57:09 +0000</pubDate>
		<dc:creator>dieelektrischenvorspiele</dc:creator>
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		<description><![CDATA[“Welcome to the Desert of the Real” is the text from which Slavoj Zizek read from on November 14, 2001 in his lecture, &#8220;Passions of the Real: Violence In The XXth Century&#8221; at Jack Tilton Gallery in NYC. It is, in general, Zizek&#8217;s reflections on the destruction of the WTC and his perception of the [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=kinokoln.wordpress.com&amp;blog=11287229&amp;post=45&amp;subd=kinokoln&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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<p><strong>“Welcome to the</strong> <strong>Desert of the Real”</strong> is the text from which <strong>Slavoj Zizek</strong> read from on November 14, 2001 in his lecture, &#8220;<strong>Passions of the Real: Violence In The XXth Century</strong>&#8221; at <strong>Jack Tilton Gallery</strong> in <strong>NYC</strong>. It is, in general, <strong>Zizek&#8217;s</strong> reflections on the destruction of the <strong>WTC</strong> and his perception of the reactions from both the <strong>Right</strong> and the <strong>Left</strong>, from his <strong>Leftist </strong>perspective. From this vantage, he attempts to find the source of these <strong>Western</strong> &#8220;<em>First World</em>&#8221; reactions, while probing the initial US reaction within the psychological framework of American film, television and journalistic media.</p>
<p><a href="http://www.lacan.com/desertsymf.htm">http://www.lacan.com/desertsymf.htm</a></p>
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		<title>The Need for Media Literacy</title>
		<link>http://kinokoln.wordpress.com/2010/01/11/the-need-for-media-literacy/</link>
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		<pubDate>Mon, 11 Jan 2010 23:25:38 +0000</pubDate>
		<dc:creator>dieelektrischenvorspiele</dc:creator>
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		<description><![CDATA[“A democratic civilization will save itself only if it makes the language of image into a stimulus for critical reflection, not an invitation to hypnosis.”   Umberto Eco (http://lanceblisters.com/)  <img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=kinokoln.wordpress.com&amp;blog=11287229&amp;post=41&amp;subd=kinokoln&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>“<em>A democratic civilization will save itself only if it makes the language of image into a stimulus for critical reflection, not an invitation to hypnosis</em>.” <strong> </strong></p>
<p><strong>Umberto Eco</strong></p>
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<p>(<a href="http://lanceblisters.com/">http://lanceblisters.com/</a>)</p>
<p><strong> </strong></p>
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		<title>Day one</title>
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		<pubDate>Mon, 11 Jan 2010 22:53:13 +0000</pubDate>
		<dc:creator>dieelektrischenvorspiele</dc:creator>
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		<description><![CDATA[The day started at 10:00 am.  At Carasana offices we were introduced to the team that works there. After a theoretical input we saw some examples of the work made by Carasana. (“The Beauty and the Waste”, about recycling. “Picked-up”, a movie sponsored by the Levi Strauss Foundation, whose main subject is the AIDS prevention [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=kinokoln.wordpress.com&amp;blog=11287229&amp;post=26&amp;subd=kinokoln&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<div id="attachment_30" class="wp-caption alignnone" style="width: 510px"><a rel="attachment wp-att-30" href="http://kinokoln.wordpress.com/2010/01/11/day-one/grupodsc03010-2/"><img class="size-full wp-image-30" title="grupoDSC03010" src="http://kinokoln.files.wordpress.com/2010/01/grupodsc030101.jpg?w=500&#038;h=333" alt="" width="500" height="333" /></a><p class="wp-caption-text">Ana, David, Sebastian, José and Nuno</p></div>
<p>The day started at 10:00 am.</p>
<p> At C<strong>arasana</strong> offices we were introduced to the team that works there. After a theoretical input we saw some examples of the work made by <strong>Carasana</strong>. (“<strong>The Beauty and the Waste</strong>”, about recycling. “<strong>Picked-up</strong>”, a movie sponsored by the <strong>Levi Strauss Foundation</strong>, whose main subject is the <strong>AIDS </strong>prevention among the African population living in <strong>Germany</strong> as another one who deals with the same subject among the <strong>Gay Community</strong>.</p>
<p>After lunch we started using video cameras  and being acquainted with art-work and light.</p>
<p>In the evening we went dinner in an old town brewery! (The horse meat was fantastic <img src='http://s0.wp.com/wp-includes/images/smilies/icon_smile.gif' alt=':-)' class='wp-smiley' />  )</p>
<p><a rel="attachment wp-att-36" href="http://kinokoln.wordpress.com/2010/01/11/day-one/dsc03020-2/"><img class="alignnone size-full wp-image-36" title="DSC03020" src="http://kinokoln.files.wordpress.com/2010/01/dsc030201.jpg?w=500&#038;h=333" alt="Júlio Rodrigo" width="500" height="333" /></a></p>
<p><a rel="attachment wp-att-33" href="http://kinokoln.wordpress.com/2010/01/11/day-one/dsc03020/"></a></p>
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		<title>Is the medium the message!?</title>
		<link>http://kinokoln.wordpress.com/2010/01/10/is-the-medium-the-message/</link>
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		<pubDate>Sun, 10 Jan 2010 22:20:24 +0000</pubDate>
		<dc:creator>dieelektrischenvorspiele</dc:creator>
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		<description><![CDATA[The medium is the message” Marshall McLuhan McLuhan claimed in Understanding Media that all media have characteristics that engage the viewer in different ways; for instance, a passage in a book could be reread at will, but a movie had to be screened again in its entirety to study any individual part of it. So [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=kinokoln.wordpress.com&amp;blog=11287229&amp;post=23&amp;subd=kinokoln&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><em>The medium is the message</em>”</p>
<p><strong>Marshall McLuhan</strong></p>
<p><strong>McLuhan</strong> claimed in <strong>Understanding Media</strong> that all media have characteristics that engage the viewer in different ways; for instance, a passage in a book could be reread at will, but a movie had to be screened again in its entirety to study any individual part of it. So the medium through which a person encounters a particular piece of content would have an effect on the individual&#8217;s understanding of it. Some media, like movies, enhance one single sense, in this case vision, in such a manner that a person does not need to exert much effort in filling in the details of a movie image. <strong>McLuhan </strong>contrasted this with TV, which he claimed requires more effort on the part of viewer to determine meaning, and comics, which due to their minimal presentation of visual detail require a high degree of effort to fill in details that the cartoonist may have intended to portray. A movie is thus said by <strong>McLuhan </strong>to be &#8220;hot&#8221; (intensifying one single sense) and &#8220;high definition&#8221; (demanding a viewer&#8217;s attention), and a comic book to be &#8220;cool&#8221; and &#8220;low definition&#8221; (requiring much more conscious participation by the reader to extract value). This concentration on the medium and how it conveys information — rather than on the specific content of the information — is the focal point of &#8220;<strong><em>the medium is the message</em></strong>.&#8221;</p>
<p>(From Wikipedia)</p>
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		<title>Social Media Revolution</title>
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		<pubDate>Sun, 10 Jan 2010 21:54:33 +0000</pubDate>
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		<title>Köln: der ewige Dom</title>
		<link>http://kinokoln.wordpress.com/2010/01/09/koln-der-ewige-dom/</link>
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		<pubDate>Sat, 09 Jan 2010 21:22:45 +0000</pubDate>
		<dc:creator>dieelektrischenvorspiele</dc:creator>
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		<title>&#8216;Archaische Arbeiten&#8217;</title>
		<link>http://kinokoln.wordpress.com/2010/01/08/archaische-arbeiten/</link>
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		<pubDate>Fri, 08 Jan 2010 22:36:04 +0000</pubDate>
		<dc:creator>dieelektrischenvorspiele</dc:creator>
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		<description><![CDATA[“Interactive Documentary” was conducted in the summer of 2007 as part of the University of Texas at Austin/Portugal “Digital Media” program. The goal of the course was to conceptualize and create a series of short videos documents using the city of Oporto as the subject. Participants drew inspiration from the “City Symphony” documentaries of the [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=kinokoln.wordpress.com&amp;blog=11287229&amp;post=14&amp;subd=kinokoln&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>“<strong>Interactive Documentary</strong>” was conducted in the summer of 2007 as part of the <strong>University of Texas at Austin/Portuga</strong>l “<strong>Digital Media</strong>” program.</p>
<p>The goal of the course was to conceptualize and create a series of short videos documents using the city of <strong>Oporto</strong> as the subject.</p>
<p>Participants drew inspiration from the “<strong>City Symphony</strong>” documentaries of the silent film era.</p>
<p>Each group produced a short video and created an interactive dvd.</p>
<p><strong>D.O.C</strong>  focus in the “<em>elective affinity</em>” between the <strong>Oporto</strong> city, the river and the wine.</p>
<p><a href="http://colab.ic2.utexas.edu/idporto2007/doc.html">http://colab.ic2.utexas.edu/idporto2007/doc.html</a></p>
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		<title>Creating and Working with Movies in Education &#8211; Hands-on Tools &amp; Practical Tips</title>
		<link>http://kinokoln.wordpress.com/2010/01/07/creating-and-working-with-movies-in-education-hands-on-tools-practical-tips/</link>
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		<pubDate>Thu, 07 Jan 2010 01:27:33 +0000</pubDate>
		<dc:creator>dieelektrischenvorspiele</dc:creator>
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		<description><![CDATA[willkommen auf den Júlio Mendes Rodrigo neue Blog A existência deste blog justifica-se pela atribuição de uma subvenção para a execução de uma actividade de Formação Contínua, no âmbito do programa Sectorial Grundtvig do programa de Aprendizagem ao longo da Vida. A subvenção atribuída destina-se à realização da acção intitulada “Creating and Working with Movies [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=kinokoln.wordpress.com&amp;blog=11287229&amp;post=4&amp;subd=kinokoln&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>willkommen auf den Júlio Mendes Rodrigo neue Blog<br />
 <img src='http://s0.wp.com/wp-includes/images/smilies/icon_smile.gif' alt=':)' class='wp-smiley' /> </p>
<p>A existência deste blog justifica-se pela atribuição de uma subvenção para a execução de uma actividade de <strong>Formação Contínua</strong>, no âmbito do programa <strong>Sectorial Grundtvig</strong> do programa de <strong>Aprendizagem ao longo da Vida</strong>.</p>
<p>A subvenção atribuída destina-se à realização da acção intitulada “<strong>Creating</strong> <strong>and Working with Movies in education – Hands-on Tools &amp; Pratical Tips</strong>” a decorrer em <strong>Colónia</strong> (<strong>Alemanha</strong>), de 11 a 15 Janeiro 2010, e organizada pela <strong>Carasana Videoproduktion Gmbh</strong>.</p>
<p>(<a href="http://www.carasana.tv/"><strong>http://www.carasana.tv/</strong></a>)<strong> </strong></p>
<p><a rel="attachment wp-att-6" href="http://kinokoln.wordpress.com/2010/01/07/creating-and-working-with-movies-in-education-hands-on-tools-practical-tips/_1stpost/"><img class="alignnone size-full wp-image-6" title="_1stpost" src="http://kinokoln.files.wordpress.com/2010/01/1stpost.jpg?w=500" alt=""   /></a></p>
<p><strong>THEMATIC FIELD OF THE TRAINING  </strong></p>
<p>IN-SERVICE TRAINING IN THE FIELD OF ARTS &amp; SOCIAL SCIENCES</p>
<p><strong><em>Artistic education  </em></strong></p>
<p><strong><em>Cultural heritage  </em></strong></p>
<p><strong><em>Media &amp; communication  </em></strong></p>
<p><strong>FULL DESCRIPTION OF TRAINING CONTENTS  </strong></p>
<p><strong>Preparation: </strong>Reflection on personal experiences in media education, finding ideas about goals and objectives of movies in education.<strong>  </strong></p>
<p><strong>Objectives: </strong>The participants should obtain technical skills to produce own movies with free software. They should be enabled to implement own movie courses with students in adult and school education. Further on they will receive knowledge about didactics of media education.</p>
<p><strong>Methodology: </strong>Basic concepts of media education will be taught by lectures, within group work and practical sessions. The main part will be learning by doing in teamwork, e.g. producing own movies. The results will be presented to all participants, followed by discussion and evaluation. </p>
<p><strong>Follow-up: </strong>The produced material and the papers offered to the participants will be published on the internet. This will allow the participants to organise own training courses.<strong> </strong></p>
<p><strong>PROGRAMME OF THE TRAINING ACTIVITIES (DAY BY DAY) </strong></p>
<p><strong>1. </strong>Welcoming/ Theoretical basics of media education/ Technical needs/ First movie experiences</p>
<p><strong>2. </strong>Working with free movie editors provided by operating systems: <strong>Microsoft Windows</strong>, <strong>Linux</strong>, <strong>MacOS</strong></p>
<p><strong>3. </strong>Movies and internet: using online tools in education<strong></strong></p>
<p><strong>4. </strong>Sightseeing and cultural program about <strong>Cologne </strong>and <strong>Germany</strong></p>
<p><strong>5. </strong>Presentation<strong> </strong>of products done during the week/ Discussion/ Evaluation/ Farewell-lunch<strong>  </strong></p>
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